Chandler on Style

‘I may satisfy myself with Richard II or a crime novel and tell all the fancy boys to go to hell, all the subtle-subtle ones that they did us a service by exposing the truth that subtlety is only a technique, and a weak technique at that; all the stream-of-consciousness ladies and gents, mostly the former, that you can split a hair fourteen ways from the deuce, but what you’ve got left isn’t even a hair; all the editorial novelists that they should go back to school and stay there until they can make a story come alive with nothing but dialogue and concrete description: oh, we’ll allow them one chapter of set-piece writing per book, even two, but no more; and finally all the clever-clever darlings with the fluty voices that cleverness, like perhaps strawberries, is a perishable commodity. The things that last — or should — I admit they sometimes miss — come from deeper levels of a writer’s being, and the particular form used to frame them has very little to do with their value. The test of a writer is whether you want to read him again years after he should by the rules be dated.’

Read more at Brain Pickings.

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