This was another fantastic year for great sounds. Sad to have lost Pauline Oliveros, though glad I got to see her perform in September one more time. There were so many discoveries I may have to end up just linking to great stuff.
Without a doubt one of the best things to come out this year was this Cherry Red collection Sharon Signs to Cherry Red. What an amazing cornucopia of sounds! The sheer wealth of material suggests there is so much more to dig out from this time when we just keep hearing the same old hits. Mind you, I was astonished to hear my punk rock gal in the senior seminar was unaware of the Slits and the Raincoats (:-O) but I know how she’s feels being smacked in the face with amazing sounds. Sure there’s some folks you know here — like The Mo-Dettes, Mari Wilson and Strawberry Switchblade and folks that went on to bigger fame under other names — but there will be plenty to delight and probably surprise you. Seriously, Caitlin O’Riordan’s band before the Pogues?! This set is in the car and has been spinning a lot.
On a Fall-related note, there was the Blaney release Urban Nature, which got the most press for having the ever irascible Mark E. Smith collaborating on vocals for a few tracks. Between managing the band and running the Salford Music Festival, you might wonder how he found time to record but the disc has a great variety of sounds that will delight folks beyond the city itself, drawing in besides Jenny Shuttleworth and Jim Watts, as well as Blaney’s daughter Bianca. That family & friends ambience lends a real sense of place — relaxed enough to experiment, but not slipshod in anyway. Tight: check it out.
The head of the incomparable Linear Obsessional Recordings, Richard Sanderson, has come out with a recording of his own that to my mind embodies the kind of thing that would delight Oliveros. A Thousand Concreted Pearls offers up the kind of meditative experimentation that really rewards attentive listening. If you think ‘accordion’ and immediately blanch, this is the album to change your mind forever as to what the instrument can accomplish. Endlessly fascinating and engaging.