Ida Lupino brings her genius to the helm of this Karloff-hosted Thriller episode. If you think early television was mostly toothless, watch what happens to Ursula Andress. Bonus: modern dance-inspired witches sabat!
Enjoy a slice of noir.
Kicking off the month with the film my students will be watching and discussing next week. Directed by the legend Ida Lupino.
Thank goodness for library book sales: or in this case, a DVD sale too. I happened across this film which I’ve never seen (in a double pack with School for Scoundrels, which one can never have too many copies of). It’s the kind of movie that could never get made now. Sim plays a bomber who assassinates folks he considers the world to be better off without — starting in childhood with a sneering headmaster. Clearly we’re meant to have sympathy for his career, which he suspends during the war years because of ‘too much competition’ :-D.
I figured I could at least link to some clips but the ‘tube is bereft of them. The BFI has a good write up and some clips, but you have to be logged in. Debut director Robert Day went on to Tony Hancock’s The Rebel amongst other things and the cast is chockfull of familiar faces from Terry-Thomas’ Lothario and George Cole’s hapless vacuum-cleaner-salesman William Blake (hahaha!), to Dora Bryan playing dim but unlucky and Jill Adams playing smart but hapless. Producer/writers Launder and Gilliat are of course best known for the St. Trinian’s films. This movie is based on their play ‘Meet a Body’ (no mention of rye).
There are mix-ups, misunderstandings, a protracted chess game, hijinks with a piano and a good bit of farce. In short, it’s great fun. As I also got the box set of St. Trinian’s films, my weekend is all set for laughs.
I meant to get another book review done this week, but it’s been surprisingly hectic hereabouts. So here’s a little Zasu Pitts and Constance Bennett plus Basil Rathbone as a cad in Sin Takes a Holiday. Art Deco bonus points for design!
Here’s Zasu and Thelma Todd:
Cindy Sherman’s surreally effective film starring the amazing Carol Kane
There are a few holes in my film diary: an embarrassing one has now been remedied. Criterion has an absolutely mesmerising release of Louis Malle’s Elevator to the Gallows with the radiant Jeanne Moreau. I swear there’s not a frame that doesn’t sing. Of course there’s the fine soundtrack by Miles but you probably already knew that. If you haven’t seen it — or haven’t seen it lately — it’s about time, don’t you think?
Get spooky with this adaptation of a Gogol story:
The first filmed version of ‘grandmother of noir’ Elisabeth Sanxay Holding’s The Blank Wall. More recently there’s The Deep End. Both interesting in what they use and what they leave out. The novel is terrific. Teaching it again in the spring.