Check it! A super prize package that includes an XL t-shirt, travel mug, notebook, and sticker all emblazoned with S. L. Johnson’s wicked cool cover design for LOVE IS A GRIFT plus a free download of Victoria Squid’s theme song for the book. What do you have to do to win?
- Buy it or get it from the library (don’t steal it — crime belongs between the covers!) and offer your opinion at Amazon or Goodreads or on your blog (or some combination thereof).
- Tell me where your review can be found. Tweet the link to me or drop it below here in the comments.
- That’s it: you’re in the bin for the drawing which will be held May 15, 2019 before I change continents again.
- Open across the globe! I will verify the items have been mailed, but I cannot guarantee delivery by your mail service. They will be going out from the USPS to the address that you give me. Be sure to use the format they employ.
UK folks! We have two paperback copies of LOVE IS A GRIFT and we’re giving them away on the Fox Spirit Books Farcebook Page. Go over there hit like (and why not like my page, too?!) then comment on the pinned post that you want it!
Fox Spirit Facebook Page
That’s it! Prizes drawn — probably by cats — on Tuesday April 23rd. And if you get a freebie, you’re going to review it, right? Because that’ll put you into the running for giveaway #3…
Okay, there was some kind of Amazon glitch (don’t ask me). BUT NOW!
*5 US-only* ebooks given away at random — sorry folks outside the US, them’s the vagaries of the ‘zon.
Click here: requires watching our theme tune video (see what we did there?)
That’s it! Gotta be in it to win it, as they say in NY. And if you get a freebie, you’re going to review it, right? Because that’ll put you into the running for giveaway #3…
‘LOVE IS A GRIFT’: Now there’s a music video for the theme song!
GRAHAM WYND’s Love is a Grift out from Fox Spirit Books.
Words & Music © 2019 K. A. Laity (Nicnevin Music / ASCAP)
Victoria Squid – Vocals
Julie Beman – Piano
Eric Bloomquist – Bass
Rich Germain – Drums
Brian Slattery – Trombone
Produced and arranged by Julie Beman and Eric Bloomquist
Engineered and mixed by Eric Bloomquist at Cool Ranch Studio
Artwork by S. L. Johnson
Video remix from ‘Sing, Sinner, Sing!’ (1933) by K. A. Laity (via Internet Archive)
FOX SPIRIT: Out today! The amazing Love is a Grift by Graham Wynd!
With fabulous cover by S.L Johnson, this collection offers a fresh take on a classic genre, that begins with obsession and most often ends with death.
And don’t forget to check out the exclusive Love is a Grift music and artwork merchandise!
Love is a Grift can be found in ebook formats in our store here. The paperback can be bought at Amazon (N.B. there seems to be a slight delay with the paperback).
Love is a Grift, the theme song can be heard and purchased at Bandcamp or CDBaby.
Exclusive Love is a Grift merchandise can be found at S. L. Johnson’s store at Tee Public or Red Bubble.
GO BIG OR GO HOME? CHALLENGE ACCEPTED!
Here’s the official page at Fox Spirit: you can buy the ebook direct! The shiny print edition is out tomorrow…
And don’t forget the slinky theme song by Victoria Squid! Champagne and whisky…
AND you can get this sweet cover on a t-shirt thanks to artist S. L. Johnson.
So close! Double release of LOVE IS A GRIFT the book and the song. Here’s the drop-dead gorgeous cover art by S. L. Johnson Images. The book from Fox Spirit and the song will be available at CD Baby (and other places). Dead swanky!
Many thanks to Dr Nicola Parry!
I was sure I had written this up before but I searched for it and didn’t find it. This Sphere edition is so much nicer than the bland corporate packaging of the St Martin’s Griffin edition I did end up buying. When you’re on a Highsmith kick and buying everything, the covers are less important (though still proud to own the kickass edition of This Sweet Sickness).
There are two kinds of writers: those who are articulate about the process and those who are not (ditto most arts and artists). Highsmith is not one. If you want a handbook on the topic, this is not the one to teach you. Of course if your publisher offers to pay you to write one, most writers will accept the challenge. But this is not the Highsmith School of Suspense Fiction School, which she recognises. So she turns to the tortured history of her novel The Glass Cell (a good Film for a Friday) in hopes that it will clarify how she does what she does. The case study is so singular that it could hardly be useful in inspiring a budding writer.
Highsmith outlines the evolution of the novel, which ‘was not inspired by any specific story idea but evolved simply out of the desire to write such a book–which is perhaps no bad reason for writing a book’ (chapter 10). She traces the idea from a prisoner’s fan letter (‘I don’t think my books should be in prison libraries’), to reading a book about convicts, to developing intellectual rather than emotional’ threads ‘none of them spectacular’. After that she tries to add some motivation for the characters. A key turns into a dog. What ifs multiply. A wife becomes unfaithful. The first two versions were rejected by her publisher.
‘I thought my story was not bad, but perhaps it could be better. When one thinks this, even faintly, it is best to write it over.’
The interesting part of this book is of course her voice, the anecdotes and the little insights that she may not even realise she’s offering. Speaking of her admiration for Graham Greene Highsmith makes plain her pleasure in reading him. ‘There is no doubt that a study of the whole field of “the best” in suspense writing, whatever that is, can be of benefit professionally to a suspense writer, but I would just as soon not pursue this study.’
Highsmith, in all her ambivalence there — and it’s entertaining.
See all the overlooked gems at Patti Abbott’s blog.
My #Fahrenbruary is kicking off well. A terrific review by Aidan Thorn and this one by Jason Beech (yeah, the old cover still turns up). Thanks, mates!