A troubled, ageing hit man leaves London and returns to his hometown in the north east of England hoping for peace. But the ghosts of his past return to haunt him.
Last Year’s Man is a violent and blackly comic slice of Brit Grit noir. PRE-ORDER NOW! Available 06/22/2018
Praise for LAST YEAR’S MAN:
“It’s all here, everything you’ve come to expect from a Paul D. Brazill caper—the fast pace, the witty banter, the grim humour and the classic tunes—except this time he’s REALLY outdone himself. Unlike the lament in the song the title takes its name from, Paul’s best years are surely still ahead of him.” —Paul Heatley, author of Fatboy
I was chuffed to receive a pre-publication ARC of the latest from Mr B. Always a pleasure to read one of my favourite contemporary authors. Rest assured this is exactly the kind of mordantly witty caper you expect. From blood-soaked shenanigans to effortlessly clever banter, there’s everything you’d expect and more. The motif of the hitman haunted by his past gets a fresh angle as disgraced Tommy Bennett returns to Seatown, the northern coastal city where his past awaits him. A wild mix of musical and pop culture references come at you thick and fast. I was chortling by the end of the first page.
But under the laughter there are a few dark threads (as with all great comedy). There’s a serious undercurrent dealing with age and regrets, of finding hope — but don’t let that put you off, crime fans. There’s plenty of mayhem gone wrong, drugs and drink, plus a pale gangster named Drella (who manages to be both ruthless and hen-pecked) and a wealth of murderous mistakes. The Hancock-esque hitman Bennett (he even wears a Homburg!) seems ready to shuffle off this mortal coil just give up the life of crime, but there’s a cockroach persistence to Brazill’s characters, who have the curiosity worthy of a cat to know what will happen next.
Some great lines:
I watched dark clouds spread across the sky like a cancer.
I placed a bottle of London Pride on the grave. My wife hated flowers because of her hay fever.
‘Then the world is your oyster.’ ‘Yeah, but I’m a vegetarian,’ I said.
‘We all have our own double-cross to bear.’
I woke up when someone stabbed me.
The carriage shook like a junkie in rehab and dragged me painfully awake.
The church clock struck thirteen as I crossed the road.
Patsy, the pasty-faced barmaid…
‘Sartre got it wrong, I tell you,’ he said. ‘Hell is IKEA.’
My advice to you is pre-order this and get your London Pride in now for some summer reading. I think I might just read it again. Now where’s that audio book version?
Those devilish girls of Sigma Tau Nu —
There’s simply nothing they wouldn’t do!
Get this pulpy fun now for just 99p! Drop by Fahrenheit Press for all the cool books and merch.
A smart, witty and marvelously well written slice of pulp fiction. Full of great lines and clever asides, Satan’s Sorority is another winner from Fahrenheit 13.” -Paul Brazill (author of Guns of Brixton and Cold London Blues)
“Wynd delivers the usual excellence in Satan’s Sorority. The hopes and dreams of college life distilled brilliantly into devil worship, orgies and murder, deftly handled by the order to leave the readers thinking ‘damn, I really picked the wrong University’. I think what I love most about this book is that Wynd still manages to capture the hope, excitement and frustration of being away from home at last! Indeed as dark as the subject matter is, the tone implies this should not be considered out of the ordinary for our life experiences. Therein lies the genius of Graham Wynd, the ability to make the reader think ‘I wonder who was doing this at my University and why wasn’t it me?’” -Adele Wearing (Fox Spirit Books)
“Having read some of Wynd’s shorter fiction I had a good idea what to expect. I wasn’t disappointed. Dark humour, the occult, loss of innocence and sex are all themes that featured strongly in this novella. Wynd has well developed, intelligent and believable characters. The flow of the story is perfectly paced with no overly verbose passages which made all the action and tension so much more effective. The novella is not for the faint of heart with a couple of quite graphic scenes and sexual references, but these are neither gratuitous or overdone. I read through the quickly – a sure sign that it’s a thumping good read. Top marks here, Wynd is a talent I’d love to read more from.” – Darren Sant (author of The Bank Manager and the Bumand Tales from the Longcroft)
“A refreshing change… For those more learned than me there are plenty of literary and occult references in this story. Putting a twist on Goethe’s famous character by making it female was interesting and also made the ending more surprising. I enjoyed the ending, even if it was more of a beginning. Sometimes when I read a book I find a single line sums it up perfectly. The poets often claimed that death wore a mask, but they never said it wore a sorority pin. Not yet anyway.” -Tony Lane
Suburbia holds more than you care for…
They’re coming fast and furious from Paul D. Brazill: it’s another cracking Near to the Knuckle novella from Mr B, the hardest working man in Brit Grit. This is #9 in the series and like the others a rip-snorter of mayhem and it’s got plenty of humour.
Big City Blues ranges across Europe and over to the colonies, or at least New York, which is a world of its own. Brazill always like a sprawling jumble of wild threads which he slowly knits together over the course of the unpredictable events and connections. Even his Seatown stories make the small burg feel complex. It’s not like wild coincidences either; it’s more like Six Degrees of Separation — or in this case, maybe only three degrees.
There’s a joyful abundance that teeters on the baroque: old cons, old cops, young geezers, unpredictable collisions of desire and convenience, and always sudden bone-crunching violence lurking around the next corner. Some of the jokes my grandfather would know but with a twist that makes them new again, and so many original observations that had me laughing out loud with surprise. And don’t tell anybody but hiding in between the laughs, the grimaces, the double crossing and the name dropping, you’ll find heart-searing observations about the walking wounded and some prose that will knock your socks off:
The night had draped itself over the city, and the moon bit into the sky. He stopped on the neon-soaked street to breathe in the sultry air. He could smell the lust, the sin and the decay.
A shard of sunlight sliced through the blinds, picking out specks of dust that floated in the air. An old electric kettle boiled in another room. A refrigerator hummed. A dishwasher chugged dully. A mangy black and white car strolled across the newly polished bar before curling up on a wooden bar stool and going to sleep.
Too Many Crooks
Paul D. Brazill
Near to the Knuckle Novella #7
I’m pretty much an easy mark when it comes to Mr B, as you’re doubtless already aware if you’ve read my enthusiastic reviews for his other publications. But I love writers I can count on (see also Liz Hand, the Abbotts, Tess Makovesky and some others I could name but why inflate all those egos?).
Too Many Crooks hits some of the familiar territory: colourful low lifes spread across Europe from Britain to Poland and points in between, salty language, implausible schemes and cataclysmic coincidences. It also has callbacks to other tales he’s written (fun if you know them, interesting hooks if you don’t).
But there’s something more in the wild kinetic machinations: dare I say a touch of the poetic? A lot of mad laugh out loud moments — the Mad Jaffa Cake Eater, a pruney face was so lived in squatters wouldn’t stay there, a Slippery Pole — and a whole bunch of references to classic punk tunes and venerable comedies, not to mention Fall lyrics.
You’d expect no less than offhand Carry On lines and knowing music choices for every mood. There’s a lot more, too:
He was also the world’s leading authority on the Klingon language, apparently and used speaking in Klingon as part of his radical therapy. Hattie had told him she wasn’t interested and had never seen Star Wars and he’d glared at her.
“If you haven’t made a fool of yourself at least once in your life, you haven’t lived,” said Anna.
“Oh, well, if that’s true, I’ve lived more lives than a cat, then,” said McGuffin.
He watched Leslie leave the café and put up her umbrella, which flapped in the wind like a black crow.
He was hungover from a bad dream, or maybe a bad life.
The old grandfather clock had just struck thirteen.
Obviously I could go on and on. Just the audacity of naming a primary character McGuffin (snort!). Get it. You need the laughs. Because all orange clowns should be fictional.
Hey, it’s the Duke of Brit Grit, that Paul D. Brazill! So what’s this new book of yours out this weekend?
Too Many Crooks is my latest Brit Grit novella and is published by Near To The Knuckle. It’s set in England and Poland. It’s a mix of pulp, farce and the grotesque. No change there, then. Though there is a bit of romance in this one …
The blurb says:
Too Many Crooks is a blackly comic Brit Grit romp from the author of Guns Of Brixton and Kill Me Quick!
When high-class fence Leslie Hawkins meets Peter Rhatigan in a sleazy London pub, he offers her the chance to get her hands on the Totenkopfring, a legendary piece of World War Two memorabilia. However, after a violent encounter with a member of a biker gang, things soon spiral wildly and dangerously out of control. Meanwhile in Poland, Dr Anna Nowak finds an amnesiac Englishman half-dead in the snow…
Too Many Crooks by Paul D, Brazill is a fast-moving and action-packed cocktail of bodies, bullets and death-black comedy.
How many crooks is too many? Is there a scientific basis for this claim?
Well there is a veritable cornucopia of crooks in Too Many Crooks. There are gangsters, a jewel thief, a biker gang, a mental neo-nazi politician. In fact there are pretty much only crooks! How they all collide is part of the fun, of course.
Are there more pop song references in this book or comedy classics?
Well the shadows of the Carry On films and Ealing Comedies hang heavy over the book, as per usual, and there are lots of top tunes from the likes of Black Sabbath, Alice Cooper, and The Flys.
Should readers begin at the beginning and read all the way through or can they jump about from tale to tale?
Well, it’s a novella, so there’s only one story so it’s best to start at the beginning or it may not make sense. It may not anyway, of course!
Are there really large American themed bars in Warsaw? What on earth for?
There are indeed though not as many as there are overpriced Irish pubs. A Polish pub was once spotted …
What’s next from your prolific pen?
My novella A Case Of Noir will be re-published by Near To The Knuckle in March and there should be another novella out a bit after that. And I have a story in the debut issue of Switchblade Magazine.
Pre-order TOO MANY CROOKS! here.
Paul D. Brazill‘s books include The Last Laugh, Guns Of Brixton, Too Many Crooks, and Kill Me Quick! He was born in England and lives in Poland. His writing has been translated into Italian, German and Slovene. He has had writing published in various magazines and anthologies, including The Mammoth Books of Best British Crime. His blog is here.
COLD LONDON BLUES
Paul D. Brazill
Caffeine Nights Press
I know: you’ll be shocked to hear that I loved this. I’ve been champing the bit waiting for this book to drop because there are few writers who genuinely entertain as much as Brazill. And this is no exception.
If you’ve read Guns of Brixton, you’ll recognise some of the folks here. The tune has changed from the Clash to the inimitable Vic Godard and this offers the chance to slip in a little — dare I say it? — poetry between the mayhem. There’s a confidence here that allows some audacity. The first line: ‘The morning that Father Tim Cook killed Aldo Calvino the air tasted like lead and the sky was gun-metal grey.’ Mood and mayhem plonk down on a bar stool next to you. You’re not going anywhere until you find out how it all shakes out.
As always it’s laugh out loud funny between bouts of wincingly painful chaos brought on by characters who are as unlikely as they are vivid: gangsters who are feeling their age, hitmen who miss, hoods who want to go straight, and an actor so far up his own arse he thinks he’s god — or maybe just Batman.
I love the expansion of the Brazill world: both the London stories and the Seatown tales feed into the history of Cold London Blues. You don’t need to have read all his other books but it helps. There’s a mad world of lowlifes, cops and random walk-ons — no innocents though. Everyone has their demons — but they’ve got music too.
And I love the idea of the Roman Dalton P.I. series: TV people, make it so!
Some quotes (I’ll try not to post everything): just go buy it now.
A face so lived-in squatters wouldn’t stay there, as his old gran would have said.
Tim wasn’t sure when it was that domestic drudgery like cooking and gardening had become elevated to the level of the works of Beethoven and Chaucer but it was another sign of what was wrong with the modern world, the country.
‘Consistency is the city hobgoblin of little minds.’
‘If you gaze into the abyss’ said Marty, with a lop-sided smirk. ‘The abyss also gazes … and sometimes winks at you and blows you a kiss.’
The winter night bit like a savage beast.
A murder of crows scattered and sliced across the white moon, as the purr of an approaching Mercedes grew to a roar.
‘I blame America for it … well, I blame America for everything …The United States of America is a cancer. A poisonous virus that has fatally infected its host’…‘They say you shouldn’t make your home on an Indian burial ground but when you think about it, the whole of the United States is a bleedin Indian burial ground. Think about it.’
Marty hated high places. He got vertigo in thick socks.
The all new version of Exiles: An Outsider Anthology – now published by Artizan– is out now!
A powerful short story collection was edited by the Bukowski of Noir, Paul D. Brazill. Exiles features 26 outsiders-themed stories by some of the greatest crime and noir writers, K. A. Laity, Chris Rhatigan, Steven Porter, Patti Abbott, Ryan Sayles, Gareth Spark, Pamila Payne, Paul D. Brazill, Jason Michel, Carrie Clevenger, David Malcolm, Nick Sweeney, Sonia Kilvington, Rob Brunet, James A. Newman, Tess Makovesky, Chris Leek, McDroll, Renato Bratkovič, Walter Conley, Marietta Miles, Aidan Thorn, Benjamin Sobieck, Graham Wynd, Richard Godwin, Colin Graham, and an introduction by Heath Lowrance.