Film for a Friday: The Green Man

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Thank goodness for library book sales: or in this case, a DVD sale too. I happened across this film which I’ve never seen (in a double pack with School for Scoundrels, which one can never have too many copies of). It’s the kind of movie that could never get made now. Sim plays a bomber who assassinates folks he considers the world to be better off without — starting in childhood with a sneering headmaster. Clearly we’re meant to have sympathy for his career, which he suspends during the war years because of ‘too much competition’ :-D.

I figured I could at least link to some clips but the ‘tube is bereft of them. The BFI has a good write up and some clips, but you have to be logged in. Debut director Robert Day went on to Tony Hancock’s The Rebel amongst other things and the cast is chockfull of familiar faces from Terry-Thomas’ Lothario and George Cole’s hapless vacuum-cleaner-salesman William Blake (hahaha!), to Dora Bryan playing dim but unlucky and Jill Adams playing smart but hapless.  Producer/writers Launder and Gilliat are of course best known for the St. Trinian’s films. This movie is based on their play ‘Meet a Body’ (no mention of rye).

There are mix-ups, misunderstandings, a protracted chess game, hijinks with a piano and a good bit of farce. In short, it’s great fun. As I also got the box set of St. Trinian’s films, my weekend is all set for laughs.

Song for a Saturday: I’m Against It

H/t Steve Bissette for putting this in my head today.

“I don’t know what they have to say
It makes no difference anyway
Whatever it is, I’m against it!
No matter what it is
Or who commenced it
I’m against it!

Your proposition may be good
But let’s have one thing understood
Whatever it is, I’m against it!
And even when you’ve changed it
Or condensed it
I’m against it!

I’m opposed to it
On general principles
I’m opposed to it!
(He’s opposed to it)
(In fact, he says he’s opposed to it!)…”

[“WHATEVER IT IS, I’M AGAINST IT” from HORSE FEATHERS (1932), lyrics and music by Harry Ruby & Bert Kalmar]

TOA/V: The Ealing Comedies

Available on iPlayer* for a while and just over an hour long, The Ealing Comedies (1970) offers a vintage look at the singular success of the tiny studio that could. If you are not a fan of these films, I probably don’t have much to say to you, as they are some of the most delightful bits of celluloid in existence.

Creative folks wondering how to find their way in a culture that rewards the already famous and familiar might also find here a wealth of lessons on how to carve out success with very little — applicable to small presses as well as indie filmmakers and others. Lessons to be learned from this small studio:

Take the lack of capital as a challenge to creativity, i.e. what can you make from what you have?

Multi-skilled people thrive in this kind of environment. What are your skills?

Collegiality is a must. Do you play well with others? Also, as Diana Morgan demonstrates, breaking glass ceilings takes persistence and smarts and sometimes just being the best.

Wishes can be fodder for plans. Example: Henry Cornelius wished for a film that showed a bunch of boys taking over London for a day. Visualising that image, he had to figure out what made it happen: cue Hue & Cry, the first of the Ealing comedies that made use of the wreckage around St. Paul’s.

Don’t disdain a small role: Jack Warden’s first role as a copper ended 20 minutes into the film — but it led to a long string of parts.

Fit yourself to the part available: Ealing had no stars at first, roles were written and actors made them their own.

There are a lot of impossibles: find what is just possible.

Whisky.

The best quote perhaps from Charles Crichton: The comic should not neglect the poetic (alas, most comedies at present do).

See it for yourself and then go watch some of those wonderful films. And be sure to check out the other neglected works at Todd’s blog.

*Non-UK folk may want to get a location masking app like Tunnel Bear to watch things from iPlayer.