Muriel Spark is an endless delight and not nearly enough good films have been based on her books. This film for television has a stellar cast and does a reasonable job of portraying her macabre humour, though it loses the subtlety of her novel (as inevitably movies seem to do) making it a little more homophobic (rather than just some of the characters being so) and spelling out the meaning in case viewers couldn’t put it together themselves. Spark has a delightful time playing with the tropes of drawing room mysteries and putting them to an altogether different aim. Well worth your time and available on YT if no where else.
Tag crime fiction
Film for a Friday: Variances (1971) #PatriciaHighsmith
I understand this may also be playing on the Criterion Channel which I do not have. Brush up your French with Pat! Honestly she’s about an advanced beginner level because I can understand most of it.
Don’t speak French? There’s also this interview over on Vimeo.
I have actually read some books lately, which seems such a novelty. Well, I’m always reading books, but for the whole of this shit year of lockdown I’ve often found it difficult to finish them even if I am enjoying them. I’ll be re-reading a bunch of books as I’m teaching the Killer Women course again (and fending off non-stop requests to over-enroll it, too). Maybe I’ll post about that collection of novels later. And there’s Highsmith’s 100 birthday next week. In the mean time:
This is a thrill ride that just doesn’t stop. It packs events plucked from the headlines with the non-stop craziness of social media, the weird exclusive life of the rich, a reclusive ex-pop star, eating disorders, jetting around Europe (ha, that’ll date it now, eh Brexiteers), hauntology (!), and the coldest killer imaginable. As usual Mina knits it all together with humour and effortlessly efficient prose. Don’t start reading this late at night — start in the morning so you can be sure to finish it.
Liz has been obsessing about Henry Darger for years. I recall a talk she gave on him and other ‘outsider artists at ICFA in the 90s or early noughties. But it was her mom who suggested putting him into a book as a detective. This book is just stuffed with the careful research she did of the era — don’t let that scare you off: it’s seamlessly knit together — including the amusement park where much of the action takes place. There’s also the nascent movie company through which Charlie Chaplin, Wallace Beery and other luminaries pass like the ambitious Glory, who wants to be an opera singer but making pictures pays better. She dazzles Pin, the girl who’s hiding as a boy and carrying the grief of a murdered sister along with some other heavy loads (also a dawning realisation about her own sexuality).
While Pin is the main anchor of the narrative, chapter to chapter we follow along other character, including the former cop/whistleblower who’s now security at the park and Darger himself, who thinks like he writes. There’s all the amusement park folk, some of whom are based on historic figures: Clyde, the black magician, Max & Maxene the ‘She Male’ and Pin’s mother who is a fortune teller. Then there’s the ride Hell’s Gate where the first murder takes place.
An ambitious weave of storylines with wildly different voices, but Hand makes it all work.