#Noirvember Song for a Saturday: Ida Lupino – One for My Baby

Yeah, it’s all Ida this week. Impressing on my students the genius that she was. They watched this clip as an introduction. We discussed what they assumed to be going on in the scene based on their knowledge of noir now. They did pretty well. If you haven’t seen the film, it can be found in its entirety on the ‘tube.

‘She does more without a voice than anybody I’ve ever heard!’

How’s your #Noirvember going? Got a favourite noir tune?

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#Noirvember: The Hitch-Hiker

Kicking off the month with the film my students will be watching and discussing next week. Directed by the legend Ida Lupino.

Film for a Friday: Sin Takes a Holiday

I meant to get another book review done this week, but it’s been surprisingly hectic hereabouts. So here’s a little Zasu Pitts and Constance Bennett plus Basil Rathbone as a cad in Sin Takes a Holiday. Art Deco bonus points for design!

Here’s Zasu and Thelma Todd:

zasu-pitts-and-thelma-todd-laughing-in-bed

Film for a Friday: Office Killer

Cindy Sherman’s surreally effective film starring the amazing Carol Kane

On vimeo:

Film for a Friday: Elevator to the Gallows

There are a few holes in my film diary: an embarrassing one has now been remedied. Criterion has an absolutely mesmerising release of Louis Malle’s Elevator to the Gallows with the radiant Jeanne Moreau. I swear there’s not a frame that doesn’t sing. Of course there’s the fine soundtrack by Miles but you probably already knew that. If you haven’t seen it — or haven’t seen it lately — it’s about time, don’t you think?

Film for a Friday: Viy

Get spooky with this adaptation of a Gogol story:

Film for a Friday: The Reckless Moment

The first filmed version of ‘grandmother of noir’ Elisabeth Sanxay Holding’s The Blank Wall. More recently there’s The Deep End. Both interesting in what they use and what they leave out. The novel is terrific. Teaching it again in the spring.