Ida Lupino brings her genius to the helm of this Karloff-hosted Thriller episode. If you think early television was mostly toothless, watch what happens to Ursula Andress. Bonus: modern dance-inspired witches sabat!
Yeah, it’s all Ida this week. Impressing on my students the genius that she was. They watched this clip as an introduction. We discussed what they assumed to be going on in the scene based on their knowledge of noir now. They did pretty well. If you haven’t seen the film, it can be found in its entirety on the ‘tube.
‘She does more without a voice than anybody I’ve ever heard!’
How’s your #Noirvember going? Got a favourite noir tune?
Kicking off the month with the film my students will be watching and discussing next week. Directed by the legend Ida Lupino.
I’m teaching our crime fiction course in the spring, which hasn’t been taught in a while. This is a reading not a writing course. I’m still deciding on the three films I can squeeze in (I’ve yet to write up the syllabus) but I’ve had to fix the readings because the students need to order them soon. In other words, I’m not looking for a debate about the choices made. The clown is down.
My own peculiar tastes show here; I envision my role as ‘gateway drug’ to more of the dark stuff. Also, I plan to persuade some of pals to chat to the class, either in person or via tech (cough, looking in your direction!). I balk at having all 20th century readings, and Poe is a necessary place to kick off the idea of ‘detective fiction’ in English language literature, though I quickly focus on that period.
Films? At the moment it’s Double Indemnity, The Third Man and Night of the Hunter, but I’ve not made my mind up. I have also considered choosing films of the books to compare and contrast, however at the moment I’m leaning away from that, tempting though it may be. Maybe Mildred Pierce to slip in Cain after all or something with Ida Lupino — I have to decide soon. It’s tough to choose. So here’s the choices if you want to read along —
Edgar Poe: The Purloined Letter (available online for FREE)
Dashiell Hammett: The Maltese Falcon
Raymond Chandler: The Big Sleep
Elizabeth Sanxay Holding: The Blank Wall
Dorothy B. Hughes: In a Lonely Place
Patricia Highsmith: Strangers on a Train
Jim Thompson: The Killer Inside Me
Chester Himes: Cotton Comes to Harlem
Another class would be another set of choices: I dropped Margaret Millar and James M. Cain when I knew I was overloading the reading. There’s just too much great stuff. I’d love to do a Brit Grit or international noir course. Maybe soon.