Looking for things to read in these in-between times?
You’ll find plenty of fiction and non-fiction over at Pulp Noir Magazine.
Talking with Strangers (inadvisable!)
Playing Ripley (Highsmith’s favourite character on stage)
The Strange Affair of Uncle Harry (unusual noir)
Summer Wine (quaff at your own risk)
Of course Fahrenheit Press has you covered with books that will keep your mind off the news and the coolest merch in town: don’t go it alone.
Drunk on the Moon, that is! Get the all-star supernatural crime anthology that includes wolf-in-chief Paul D. Brazill and a host of luminous guests including me!
When a full moon fills the night sky, Private Investigator Roman Dalton becomes a werewolf and prowls The City’s neon and blood-soaked streets. Stories by Allan Leverone, K. A. Laity, Jason Michel, B R Stateham, Graham Wynd, Katherine Tomlinson, Julia Madeleine, John Donald Carlucci, Richard Godwin. Based on characters created by Paul D. Brazill.
Can’t get enough of your favourite werewolf detective? You can get the original collection for FREE too, but act fast. ROMAN DALTON – WEREWOLF PI is howling at the ready.
When a full moon fills the night sky, Private Investigator Roman Dalton becomes a werewolf and prowls The City‘s neon and blood soaked streets. There are six Roman Dalton Yarns written by Paul D. Brazill in this short collection.
Don’t just take my word for it, read what the critics have said:
My short ‘Tell-Tale’ which first appeared at Punk Noir Magazine is now a Tiny Tale, a new podcast that sees the return of Darren Sant reading stories for you — not soft bed time stories though, but dark crime fun! Check it out: it also includes a tale of Daz’s own as well as two by Frank Sonderborg and Andrew Briggs.
Check it out and spread the word.
Don’t forget: tonight is another round of #FahrenFriday #FNATB which features new video readings by Derek Farrell, A Den Bleyker and Cal Smyth. Subscribe to #FahrenNoirAtTheBar make sure you don’t miss a thing!
From Peter Cook & Dudley Moore’s Behind the Fridge a sketch review from the 1970s . The title came from someone misunderstanding Beyond the Fringe, the revue that originally propelled these two, Jonathan Miller and Alan Bennett to stardom in the 1960s. I’ve always thought this little sketch encompassed all the menace of noir while remaining darkly hilarious.
After a few technical hiccoughs #FahrenNoirAtTheBar is live with the first three videos. Check out Ian Ayris, Jo Perry, and Anthony Neil Smith reading from their Fahrenheit Press works. Favourite the channel so you won’t miss a thing!
Bathed in an orange glow most of the night: a high energy show that totally engaged the enthusiastic audience. Photos by K. A. Laity
Loads more photos, but this gives a good feel of the energy.
Brix & the Extricated‘s new SUPER BLOOD WOLF MOON is out today: check out the first single ‘Dinosaur Girl’ — a healthy helping of power pop and get the Rufus Dayglo image on t-shirts!
Imperial Wax present the first follow up to GASTWERK SABOTEURS with the crime-themed video for their latest release ‘Bromide Thrills’ plus tour dates. I’ll be seeing them in Limerick as part of the Fall Symposium.
Catching up on my neglected Highsmith novels: so focused on the Ripliad lately, it’s good to remember to step aside for her other work. In her introduction Denise Mina talks about this novel being her gateway to the creepy world of Pat, completely by accident. What an introduction! This book is pure dread. It’s crime by content, but as in many of her books, the crime is hardly the main plot element. Edith’s crumbling dissolution as life keeps disappointing her is utterly terrifying as well as perfectly drawn.
It would never get published today because ‘head hopping’ is considered an insurmountable crime. Highsmith hops adroitly from Edith’s increasingly buzzing head to that of her wretched offspring, the supremely creepy Cliffie — incel supreme! — without losing the reader at all or making it too jarring. The jumping off points are well chosen. Highsmith is so good at building unsettling creepiness — Cry of the Owl and This Sweet Sickness also do that superbly. But I think the choice of this invisible middle-aged woman adds a poignant sorrow that breaks you in a way those two novels don’t.
There’s a moment when Edith stands in the little stream in her aunt’s back garden, looking up at the house where she had often been happy. She recalls a line from a Goethe lieder (this is Highsmith, you know), ‘Kennst du das Land?’ and it captures perfectly the distance between the sometime happy child and the woman completely lost in fantasy. Edith remembers the line about the roof and the pillars, but the line that really resonates is, ‘What have they done to you, poor child?’
Highsmith shows you the obvious things, like Cliffie as a child trying to kill the family cat, or her husband’s very dull, very middle-class affair — but in throwaway lines, she also lets you know the cold family life Edith had even as a child. It’s striking that as she veers into insanity the woman not only moves from left-wing political activism to bizarre right-wing diatribes (that often match the author’s opinions) but she also becomes more creative, both in writing her alternative diary-life and her self-taught sculpture. So Pat.
Check out the FFBs at
Patti’s blog . Or maybe Todd’s.
A fine new review of LOVE IS A GRIFT over at stalwart reviewer Col’s Criminal Library. He found entertaining the mix of:
Sex, drugs, drink, music, crime, robberies, guns, bikers, kidnap, witches, family feuds, take-downs, consequences, trailers and diners, fake friends, dead boyfriends and a swimming lesson, real friends and a false alarm, nasty neighbours, a werewolf PI in the background, a good deed and an oven clean, and lots more.
Col has been a great supporter of the crime community for some time. Check out his massive collection of reviews at the blog and be sure to leave him an encouraging word. He’s been kind enough to review Satan’s Sorority, Extricate and Smallbany, so I am eternally grateful.
Also check it out: Fahrenheit Press and F13 in the news!