Don’t forget: tonight is another round of #FahrenFriday #FNATB which features new video readings by Derek Farrell, A Den Bleyker and Cal Smyth. Subscribe to #FahrenNoirAtTheBar make sure you don’t miss a thing!
From Peter Cook & Dudley Moore’s Behind the Fridge a sketch review from the 1970s . The title came from someone misunderstanding Beyond the Fringe, the revue that originally propelled these two, Jonathan Miller and Alan Bennett to stardom in the 1960s. I’ve always thought this little sketch encompassed all the menace of noir while remaining darkly hilarious.
Victoria Squid – Vocals
Julie Beman – Piano
Eric Bloomquist – Bass
Rich Germain – Drums
Brian Slattery – Trombone
Produced and arranged by Julie Beman and Eric Bloomquist
Engineered and mixed by Eric Bloomquist at Cool Ranch Studio
FOX SPIRIT: Out today! The amazing Love is a Grift by Graham Wynd!
With fabulous cover by S.L Johnson, this collection offers a fresh take on a classic genre, that begins with obsession and most often ends with death.
And don’t forget to check out the exclusive Love is a Grift music and artwork merchandise!
Love is a Grift can be found in ebook formats in our store here. The paperback can be bought at Amazon (N.B. there seems to be a slight delay with the paperback).
Love is a Grift, the theme song can be heard and purchased at Bandcamp or CDBaby.
Exclusive Love is a Grift merchandise can be found at S. L. Johnson’s store at Tee Public or Red Bubble.
I was sure I had written this up before but I searched for it and didn’t find it. This Sphere edition is so much nicer than the bland corporate packaging of the St Martin’s Griffin edition I did end up buying. When you’re on a Highsmith kick and buying everything, the covers are less important (though still proud to own the kickass edition of This Sweet Sickness).
There are two kinds of writers: those who are articulate about the process and those who are not (ditto most arts and artists). Highsmith is not one. If you want a handbook on the topic, this is not the one to teach you. Of course if your publisher offers to pay you to write one, most writers will accept the challenge. But this is not the Highsmith School of Suspense Fiction School, which she recognises. So she turns to the tortured history of her novel The Glass Cell (a good Film for a Friday) in hopes that it will clarify how she does what she does. The case study is so singular that it could hardly be useful in inspiring a budding writer.
Highsmith outlines the evolution of the novel, which ‘was not inspired by any specific story idea but evolved simply out of the desire to write such a book–which is perhaps no bad reason for writing a book’ (chapter 10). She traces the idea from a prisoner’s fan letter (‘I don’t think my books should be in prison libraries’), to reading a book about convicts, to developing intellectual rather than emotional’ threads ‘none of them spectacular’. After that she tries to add some motivation for the characters. A key turns into a dog. What ifs multiply. A wife becomes unfaithful. The first two versions were rejected by her publisher.
‘I thought my story was not bad, but perhaps it could be better. When one thinks this, even faintly, it is best to write it over.’
The interesting part of this book is of course her voice, the anecdotes and the little insights that she may not even realise she’s offering. Speaking of her admiration for Graham Greene Highsmith makes plain her pleasure in reading him. ‘There is no doubt that a study of the whole field of “the best” in suspense writing, whatever that is, can be of benefit professionally to a suspense writer, but I would just as soon not pursue this study.’
Highsmith, in all her ambivalence there — and it’s entertaining.
Yeah, it’s all Ida this week. Impressing on my students the genius that she was. They watched this clip as an introduction. We discussed what they assumed to be going on in the scene based on their knowledge of noir now. They did pretty well. If you haven’t seen the film, it can be found in its entirety on the ‘tube.
‘She does more without a voice than anybody I’ve ever heard!’
How’s your #Noirvember going? Got a favourite noir tune?